我们是heeh，一个由何卉奇和贺天丁组成的研究型跨学科实践小组。
我们的实践始于在地田野调查与生活经验，基于仪式与剧场研究，运用身体的表演，结合音乐、影像等多种媒介，探索边缘处的诗意与力量。

其中，卉奇近期的研究与实践关注中国南方山地的巫术呈现，鬼魂叙事以及文化杂糅，结合视觉人类学的研究方法与多感官经验进行实验民族志影像、水墨装置，行为表演等的创作。天丁的主要艺术媒介是现场性的参与式表演，着眼于边缘群体的身体感受，包括残障群体、原住民、移民等。用编创剧场 (Devised Theatre)的创作方式，借由物件、肢体、技术，探寻“反叙事” (counter-narrative)的可能性，在世界各地与不同社群进行工作坊和共创。

We are heeh, a research-based interdisciplinary practice collective formed by Huiqi He and Tianding He. Our practice is grounded in fieldwork and local experiences, integrating ritual, mythology, and theatre studies to explore the poetics and politics of the peripheral through bodily performance and cross-media works. Huiqi‘s recent research and practice focus on witchcraft, ghost narratives, and cultural hybridity in the mountainous regions of southern China, such as Xiangxi and Guizhou. Employing methodologies from visual anthropology and multisensory experiences, she creates experimental ethnographic films, ink installations, and performance art. Tianding is an experimental theatre director and scholar. Centering on the bodily experiences of marginalized groups—including people with disabilities, Indigenous communities, and migrants—she employs devised theatre methodologies. Using objects, movement, and technology, she explores possibilities for counter-narrative through workshops and co-creations with different communities worldwide.

贺天丁师从理查德·谢克纳，继纽约大学获得人类表演学（Performance Studies）硕士、纽约城市大学亨特学院获得戏剧专业（Theatre）硕士后，现为加州大学尔湾分校、圣地亚哥分校的Theatre, Dance and Performance专业的博士候选人，主要研究包括参与式表演、情动理论、跨文化戏剧、沉浸式技术与赛博身体等。何卉奇本科毕业于广州美术学院中国画系，硕士毕业于纽约视觉艺术学院(School of Visual Arts)艺术实践系(MFA Art Practice)，金史密斯(Goldsmiths) 视觉人类学系(MA Visual Anthropology)。我们的作品在纽约先锋戏剧与文化空间（例如重音社，HERE Arts Center, La Mama, Rattlestick Theatre等)，各地的美术馆（包括上海明当代美术馆，PSA上海当代艺术博物馆，成都时代美术馆，Snap艺术中心，Satellite Art Show，NY Soho Gallery), 还有国际表演艺术和电影节（Hi Shorts! Film Festival，Social Impact Film Festival，Segal Center Film Festival on Theatre and Performance，乌镇戏剧节等), 进行表演和展出。并在冰岛Seyoisfjorour、日本福冈、纽约Saratoga等多地进行艺术驻留。写作作品发表于《对流》、Performance Research等学术杂志中。

Tianding He received her first MA in Performance Studies from NYU, a second master’s degree in Theatre from Hunter College, and she is now a doctoral candidate in Theatre, Dance, and Performance at the University of California, Irvine and UC San Diego. Her research focuses on participatory performance, affect theory, intercultural theatre, immersive technology and cyborg bodies. Huiqi He received her BFA in Chinese Painting from Guangzhou Academy of Fine Arts, an MFA in Art Practice from the School of Visual Arts, New York, and an MA in Visual Anthropology from Goldsmiths, University of London. Our works have been presented at New York’s avant-garde theatres and cultural spaces (e.g., Accent Sister, HERE Arts Center, La MaMa Experimental Theatre Club, Rattlestick Playwrights Theater), art museums globally (including Ming Contemporary Art Museum Shanghai, Power Station of Art Shanghai, Chengdu Times Art Museum, Snap Art Center, Satellite Art Show, NY Soho Gallery), and international performance/film festivals (e.g., Hi Shorts! Film Festival, Social Impact Film Festival, Segal Center Film Festival on Theatre and Performance, Wuzhen Theatre Festival). We have undertaken artist residencies in Seyðisfjörður (Iceland), Fukuoka (Japan), and Saratoga Springs (New York). Critical writings appear in academic journals such as Convection and Performance Research.